Tuesday, September 28, 2010

How To Tell If Table Is Solid Wood

Seo2 SLC & ErrSomer present: International Launch Volume 2 presents Seo2

With this and go two times Errsomer appears to want their jobs have some sort of coverage, great work as a producer exercises this young 21-year benchmark, since it I have never known another who cares about both the image of your product and gather as much information to present underground in a way that provides professionalism and importance to the career of his protégé. His most recent antecedent is the overall production of International Launches Vol 2
, Claudio Leiva new album, commonly known as or SLC Choroka Sánchez, who returns after three years of absence after his Finally
Mind Innoveishan
. The album was released a couple of weeks, but before that we were already talking about the idea of \u200b\u200bexposing the whole background of the album in the way that his ideas could best naked ... and of course, interviews increasingly perform more reliably that mission. It was almost as easy as matching our three times, together, allow the teacher Choroka to light his joint in my living room and let the conversation going ... Results discover them after this short review.
Güissario Interview by Patiño in September 2010. Laceldadebob
unique property.
aka Christian Ferrada Errsomer is not another child again with talent, a youth entirely dedicated to music has given his young age mature enough to brag about being a producer with all of the law. From the time that the former militant training
Synchronous,


is taking seriously the details of sound, working with people like then Impact Problem and ultimately the SLC. He is currently Music Production, making clear that each piece of learning to date will write the future of his career. On the other hand,
SLC
gathers more years of research and experiments on his own - My career began at the end of 99, I already had my demos, which gives me thing there because it sounded more air (laughs), part of the base was the air. In 2003 came a lp that sick people have, but more under my internet career I think part in 2004 with the Small download. In 2005 came the pure juice and botah shit ', which as the name says, are pure featurings and loose items I had in the pc and I put together. In 2007 I jumped to the International Launches Vol 1 and then another hard bastards say it was my side Madlib, the Mind Innoveishan; a disc nothing to do with previous work, but also threw it live ... "- Despite not having shown an edited work in recent years, SLC did not stop and continued to work actively with other characters of the Chilean scene and starting a new project together called Atom and Hohai Eternal Kingdom , who despite his good projection gave no further news. All this independent his creations with his crew nurse known as
SupCrú . Rapper out of your life, Claudio Leiva serves as professor of English in three different schools in the capital, being the time one of their worst enemies when it comes to creating. How this part to take a second known volume to International Launches
? Still, I guess the professional time of Lewis was difficult to fight ... what was it difficult to achieve this consistency for machining this new release?
SLC:

These are topics of a course record called
Once Again that he would go on 2005. Of these twenty issues, I'd say easily that there are eight points and flows are from 2005 and left for the season now with the current level despite the years. I was given the opportunity to confide in someone's record, needed someone to put something of substance to what he was doing, I used to mix, but by ear and I do enough for you, you have to apply technical and other skills ... in So I met Christian.

The timetable of a teacher is not uniform, one day you walk into one and the next day to another. Sales at various times too, so I work cove, it is normal for a teacher working 45 hours and have busy all week ... I work 58 hours. How? There will be ordering, but Friday is the only day I go to one and more over I have to return in the evening at six. In that short time recording and out something, he did so badly that the more I delayed fifteen minutes to record everything, including vocals ... no matter how difficult or twine that has been the subject had to seize the time and I went to the first. students half already know you, they ask the disk and it creates an empathy for rapping and all that, then do not do rage on both classes (laughs). It is difficult to hit. I teach English and this gave the album that has thrown a topic in English, which I explain that I changed the name to rap in English because SLC in a distinctly Chilean artist, then that does not use the foreign language to elaborate. English I think I have to another flow and named as an alter ego because I tend to deal with other issues. This has been complemented by listening to a rap ruling flaiteao , as it should be (laughs).

After so long without taking anything new, what differences are at the artist in this second part?


SLC:

As the first point ... the mix. A close friend just send the disc was finished, because I find your opinion very valuable and I said is that it is the first record that I understand everything, but everything I say. Because my flow sometimes brings some problems and something always going to escape. I said I did not know if he was modulating better, which also comes with age, but is also very noticeable change in sound. The flows are different because in each subject, more lanyard that is, invent something new. I for one I rely on that, vary and not stay the same, this is volume two of the International Lanza, but he has had enough changes in concepts, guests ... is the sequel to a line that is still rap.
In previous work it was you who took over the helm in the creation and recording process, independent of the results. This time you chose to give all that criteria to a single person and somehow give it another cache to the final product to go through that filter. Why choose now to that form of work? What about the experience of working with a producer for so young to run your project?
SLC:

Although he already had good jobs to prove it to me was to find a diamond in the rough. Had to rely on someone to come from below, because if he is polished ... who gets the benefits?, We've been close before, then it will be working fine. As the work went so well, I think this is the first of many things that can go out and that somehow enrich the environment. Rescue someone dedicated to that, which is a catch ... trust that if recreating a ready-made theme, as is the case with Cyrano, the new production would generate a result than the first. I have to say that the concept of international launches, is that I am an emcee that
lancea beats, not robbing anyone. Always salvage something from the home of a producer friend that I found interesting and that mine was putting together, so many sounds, different shades ... came time to ask one person to take charge of that and I contacted this man.
Errsomer:
He already had a prototype of the disc, I think they were as sixteen tracks. We started working and discovered that several tracks were made by him ... but made with the need to want to rap (laughs). They had low, samples of two minutes eternal batteries looped over ... had to work. I am studying, I took to include instrumentalists, guitarists and bass players got to try to give more weight to the production.

The album is available directly comprándotelo for the modest sum of $ 3,000. It is the first album you offer for sale, but the difference from other national activities that justifies any transaction submission. Baggage in hand with an ingenious design and quality materials at a price more than popular ... what you wanted to represent in doing so? Since you're running your stock within days of launch, which is a good indication why do it so limited?

SLC:
All have been opportunities that have arisen over time. This was a graphic design thesis of my friend DgkStarr, including pimp myspace, logo creation ... in my life had (laughs). Was based on the idea of \u200b\u200bdesigning a presentation of such quality with minimal resources, so they spent doing something innovative and take advantage of that, instead of taking ten copies for their teachers and since I was about to take the disc ... why not make some more and sell them? Now, why is it sold? Silver recovery, I am not making virtually anything with this and why is it so limited? Because manual labor is too much and you do not have much time for such things ... is a very personal work because it is not commanded to do, we have the materials and do it with our hands, so maybe it is a value-added people who really like our music, which has been proven because the sale was not bad and everyone's reaction was the same ... I do not regret having lost three joints (laughs).
In
Underground
do a critical analysis of the concept. What happens when the idea of \u200b\u200bselling copies of your hard work makes a product? I mean the fact of having to think about what is going to like people to buy me before the show yourself to free piece. How can an artist who wants to navigate the underground does not go that way?
SLC:

For starters, the most complicated of all this is to define what is underground ... we will not go that way. I'll give you the courage to take the example referring to the villagers, who are a group of Cuba who are rapping long before something more massive, but they have always done the underground sound. What? They are guilty of it after that adoption increases and now wants to market it, which is going to happen sooner or later, if not done ... does that make you stop and underground? Here begins the discussion.
What now? As for me at this moment makes me a product, is the fact that I want to take the opportunity that I explained earlier to have a CD, which I'm not going to the bathroom silver and therefore had to invest hundreds and Both Lucas ... I want those hundred or so lucas back, nothing more. If I wanted to make money with that, I think it is right to some extent, in my case I am interested in recovering the money because I see it as a hobby and to earn money I have my profession. To which I go to underground, it is something that is shown either in sound, attitude, which may be on the microphone interviews or live ... for me is the most valuable. Imagine the social networks, we all live here under the auspices of facebook to be downloaded to our records, at least as far as possible I avoid doing that because the disk you want to achieve is going to have. When given this opportunity to calculate how much physical copies went out to do, how much should be charged to recover and that charge, nothing more ... but I could almost have said five or six lucas per disc and win at least two or three shrimp, which is not is negligible. In fact, if you ever be on a stamp and I paid for it "stopped being underground? Why I insist on the sound as you continue saying and doing, that no censure you ... if I say a thousand scribbles because I feel it and talk about the joint, I'll do. As I say in the song:

"I do not question that our music is sold, what I question is that you change your mind, that is your path."
All hueones they are selling well today ... (clapping), but if you did it doing what you were doing before the neighborhood.

Errsomer:
We will not make millions with this, we gain nothing, but the results are a consequence. SLC:
The physical copy is to give you another value to the disk, because we all now released an album and download it from internet, says a week and ready . Just as it is easy to download, just heard the whole album ... mostly guided by the theme that he liked his friend and passes it to a compilation. Before I got the CD or cassette and I listen to, if you now do the same the Chilean hip-hop would be the leg, we all have great records and do not listen.
Did you miss the essence? SLC:
Yes, between groups more than anything. Although there are several that continue to maintain, but now it's different, I can give the example of what I said a few days ago a student for their hueás super Ying (Laughs).
- Teacher, you sing? Because I have to record two tracks this weekend with friends, going super well- Now everybody sing, everybody thinks they're going to do and imagine the best, so listen to the disk that is on duty, we look for the "but" and left. Because they are doing a project you do not listen to anyone else, now do not listen to rap and all the others. There is much pride, we are all equal and that values \u200b\u200bthe music of someone you like, hear the whole album and if you like ... Discuss. Not discussed and why do not you think? Because it is competition, as all we are all rap competition. So I miss that stuff to be like in 97, for example, seeing cramp on the pitch and all faltered, there was no envy to enjoy their music, although all rapeábamos too, but enjoyed good rap. Now everything is competition, except for regions one and you are always going really well.

A common pattern of the disc is the sound, presence of synthesizer that fed I suppose comes from the hand of the producer with whom you work. Is it coincidence or want to adapt and adjust to the audience to a more current to start to leave behind the more conservative styles? Errsomer:

I think is not charged a single hand to hand, because it samples, intervention instrument has ... maybe in my rhythm is most apparent, because I have to give it balance and set a more appropriate label. While is true, most productions are mine, I have to learn to identify others. There are issues that need that kind of sounds and could not fail to have the synth.
SLC:

it matches That is because in general when I show beats, which are equal to or employed the same way as before, gives me a coward who is using the same technique as someone already used. The match could have had the most varied kinds of synthesizers and the callers were to rapearlos. I always look with pianos and violins when I offer a new beat any producer, I'm actually stuck to sound simple, but when you add something else ... suddenly catches my eye and done. No disk try to do same as above, as I said, I seem cowardly, occupying the same technique because you expect the same as the previous album ... at least to me baffles me.
Certainly, one of the highlights of the album is the collaboration with Promoe, member of the virtuous Swedish band Looptroop Rockers. I demand that he explain to me how this connection ...

SLC:

First I will say is that this issue always imagined rapper, a four quarters as they say out loud, imagining Looptroop Promoe as the late 90-2000, where he went on the subway and all those who were school hueás and a neighborhood punga never imagined that one day end up rapping with him. Dame arrived to Santiago, who like many Chileans living in Sweden and as usual knew DgkStarr. SupCrú He asked because he wanted to record a song with us, called us and told him to come to the touch, prints, etc ... he was so good to us that took our records for Sweden. One day I was on the street and found Promoe running in a corner, it seems that in your videos is really (laughter) - they began to talk, even made an issue, with no color. He was technically the first Chilean to do a song with Promoe, not me. He asked for the move into Chile and Dame showed him everything he knows all too music until he reached the
International Launches to what I think Promoe said I was mad because they varied in time and again to calm down, etc ... so I raised the idea to make an issue with me. I speak English and then I contacted him, the idea was to come, but understood that if they had coins could do in his home-studio. I sent the beat, manages and left ... without charging anything, so I think it speaks very highly of him.

guess beyond rescue a session with the a capella voice, came before a full understanding of the concept they wanted to work with
Nation . How was the creative process with Promoe?

SLC:
We send many mails, first issue we talked about what we would try and come to agreement on what was the reality in different countries, which despite being miles away united us in common was the rap ... and we got together something that is in line to be very different, so he says: "No Limit has made man as a country going to separate us, because we are all equal." He shows no profit to make a thread with SLC ... what will help make a theme with SLC? (Laughs). There's somebody that although band and all, I think that had an underground attitude (laughs). I do not know if I explain. The first version was made by Geoenezetao, a good musical work with guitars, but too hippie for my taste. Then he missed the meeting, which is something I do not think, and asked the Christian a new version to throw my song live.
Errsomer
: The Choroka told me he wanted to see Promoe rapping in the neighborhood, because I did not feel well with the previous instruments. I did like five different tracks to get to that, tested various formulas, then include a new chorus of The Problem and also agreed that in college I co-Dj Transe inside the disc is a great value and has its share within the topic.
Existing connections like this, inevitably I find myself thinking that if it is time that the Chilean rap become an export product. Is there level to begin to find space in more established scenes, such as Europe in this case?
SLC:

... and we have everything to do, I do not know what is happening. I think it must be that that between us we do not rely much, is that support for out ... you're friends with every group, we all know, but how far does this support? How far is competition? I do not mean bad, but what happens ... how can we grow it? And going back to the topic of underground ... if there is no silver here, and talk about money as such, we will not out. What makes you move the money? They have shows, they have sponsors. If they win, the more opportunities we have, do not know if we're going to win both rappers, do not talk about marketing it, but people who put the silver, they care about profit involuntarily start to win ... we will help you out. I guarantee that we have an excellent standard, pure and good computer and microphone. It shows even in our subjects that are real, because if they invite us to a gig we pay to the micro (laughs), if as in the U.S. we pay for transportation, everything ... and then you start to forget the essence because you have everything easy, but when you enamorai costs ... the stuff you (laughs). First of all there has to be a job that reflects that people will realize later.

Much of the text of this album express your anger at attitudes of people on the scene, particularly aimed at newbies ... so enlarged it is becoming the modus operandi of the new entrants? What do you think it should?



SLC:
Yes, and partly because of what you had recently. As now all dream of making an issue, even an album, and believe they can live throw, throw it on the radio, make a video ... but not that, I've always told people that being an emcee is to know how many things, especially being on stage. All that being written today sound nice, but Get on the stage! There are sick are not even moving, do not know if it can ... have to prove there. That they realize the fact that the thing costs a bit.
I think the scene is quite enlarged today, but there are many who have the profile to do it ... if they are good, getting bigger (laughs). However there are some who have nothing and watch.
How you can attack it in their status as artists?


Errsomer:

doing better simply because the years I guarantee it. Since coming to work sick time, and know how it is ... they are testing, but have everything on hand. We strive to have what we have today, nobody gave us nothing. SLC:
I believe that everything happens for a reason, these people are going to move things that will make you go alone. By this I mean that at some point realize they are bad, when you see live manages not because they're bad rap ... because people know, you can hear audio and will sound nice, but you realize when you live is quite the opposite. At least for me to live has been the most important thing in my career.

The album is on the street and in a moment available in unauthorized internet downloads ... What's next for promoting International Launches Vol 2
?


SLC:
The idea is to make a pitch, but when you have a little more than shooting. Usually in a release was somewhat unique, something new ... but in this case I prefer to wait at least a month and see if it goes any chance, but show it in different types of gigs, the disc is not yet well known and regions and began to ask me. My proposal to throw actually live, which I insist is where you see the cock-is almost entirely touch ... I will not latear an hour, as people always want something shorter in rap because there are many openers and all that . My idea is to play most of the issues in a variety show, with deejays and possibly without anyone with me on vocals. It now draws attention lately because many people see on stage, the idea is not to need support, not take your recorded voice ... even strengthening in the chorus. That's what I intend to do with the album, live show and see the reality of one, show that the songs are recorded in a run and believe me (laughs). Only that, I aspire to become massive and get people talking about me, if I may so scared (laughs). I've always liked the low profile. Errsomer: The record must show and want to stash it in parts, I think we will miss time for the parts where you go to play. My idea is to show Claudio an interesting show, including the musicians on the album, in addition to the Transe want to do more things. Allow time for the disk is still moving and start to show, rather than show it.

SLC - LAUNCHES INTERNATIONAL VOL. 2 (PROD. ERRSOMER) Productions how are you forcing you to be versatile, for almost 56 minutes because you know pitch , listen, analyze and appreciate every detail of the track without an option to distract.
International Launches Vol 2
work suggests a common categorical than the national, dense at first, but with the power to awaken the listener's interest before his resignation and cause a kind of interaction between the emcee and its receptor. What is striking is that this thread generated is not interrupted, because despite having a tracklist of 21 cuts, each song has an identity that differentiates it from the rest, therefore, every song is a new idea to digest. SLC return more mature and appropriate dosing his raps in songs no longer than two minutes long, making good use of their subjects and skills not to overlook the consistency of the track ... no white spaces and empty ideas gentlemen, for something I left the comment alluding to the dense production. The harmony gives Errsomer, putting the amount of musicality and balancing the high decibel Choroka, becoming half guilty of product management in the issue. Original instrumental in Errsomer also have their share of items such as Frainstrumentos, Utópiko, Shandee, Sermonstarr and Anzestro, to name a few, that despite the level of fines, SLC manages to stand out and eat each beat pattern with flow changes. Good also with assistance from people like Sir Judas and the problem, demonstrating the spontaneous chemical SupCrú.

DOWNLOAD HERE
I see no better candidate to share microphone with Promoe, being that it is something that I never raised ... a destroyer hit his neck and was musically versatile Chile-Sweden connection also shows a DJ Trance at its best. Recommended are the creations as Underground, Blabla, Choroka Sánchez, Nations and Did u get it, that particular shows us both sides of the author and his alter ego Outsider. For those who were not able to buy a limited-edition prints will be pleased to know that Errsomer has decided to share a download link approved for the start of this interview. While a few days ago a leaked disc link that no longer run on orders of the producer, is now available as a definitive high-quality audio and contains two unreleased remixes to give the air of exclusivity. Put company play no more!
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