is a journalist Marcello Rubini moving evening elite of Rome's La dolce vita Fellini, the lives with his players and then write about it. And who lives chained to the charm of the upper classes in the lower trigger. That means the scene famous Fontana di Trevi , when the lead actor - Marcello Mastroianni - includes the exuberant beauty, untouchable, of Anita Ekberg : unattainable for him. La dolce vita
talks about a humble origins journalist is mesmerized by the intense brightness of the bourgeois parties in Rome, where movie stars and royalty celebrate the joy of having known a world that is completely favorable. In the story, the story of Rubini is suspended in time until you see your father in the city. Until then it's just a bon vivant with a everyday reality that means a burden to him: his wife Fanny - Magali Noel - lost sanity by the jealousy he feels at Maddalena - Anouk Aimée - a beauty of a good family who longs for Marcello Rubini. When you see the father of the journalist in Rome for a business trip, it behaves like a ruffian who captivates the ladies, and the protagonist is recognized in the cruelty that infidelity means for his mother.
This moment represents a link between Marcello Rubini present in the story, and the boy from the provinces from which it comes. Fellini is a slip that allows your character to be reunited with the simplicity and perhaps channel his life away luxury and self-destructive spree of the rich. But there are more opportunities, and the director embodies a humble girl who works in a bar, which appears as the last diversion that can prevent the destruction of Marcello Rubini. Despite the image of purity that emanates from the girl, the journalist leads his reality into a labyrinth, where Fellini was pleased to record great scenes that highlight the superficiality, vanity, stupidity and upper classes tontuna such that feel immortal in their bubbles of reality, in their castles.
is incredible humanity with which Fellini wrote the character played by Marcello Mastroianni, because the viewer can not hate, can not even consider it as a cruel man, despite how he treats his wife. The journalist is a product of its time, the flashes of his friend Paparazzo, who draw a society where the rich look better, immortal. And Rubini want to belong to it, though not appropriate, or even unrealistic, and rendered the viewer falls, as does the protagonist, to the hypnotic personality Maddalena, Anouk Aimée, and the beauty of Anita Ekberg.
Rubini wrote to Fellini as his alter ego, because the director was also a provincial man dazzled by the women of Roman high society. And in the film, the director plays with that reality to unmask.
talks about a humble origins journalist is mesmerized by the intense brightness of the bourgeois parties in Rome, where movie stars and royalty celebrate the joy of having known a world that is completely favorable. In the story, the story of Rubini is suspended in time until you see your father in the city. Until then it's just a bon vivant with a everyday reality that means a burden to him: his wife Fanny - Magali Noel - lost sanity by the jealousy he feels at Maddalena - Anouk Aimée - a beauty of a good family who longs for Marcello Rubini. When you see the father of the journalist in Rome for a business trip, it behaves like a ruffian who captivates the ladies, and the protagonist is recognized in the cruelty that infidelity means for his mother.
This moment represents a link between Marcello Rubini present in the story, and the boy from the provinces from which it comes. Fellini is a slip that allows your character to be reunited with the simplicity and perhaps channel his life away luxury and self-destructive spree of the rich. But there are more opportunities, and the director embodies a humble girl who works in a bar, which appears as the last diversion that can prevent the destruction of Marcello Rubini. Despite the image of purity that emanates from the girl, the journalist leads his reality into a labyrinth, where Fellini was pleased to record great scenes that highlight the superficiality, vanity, stupidity and upper classes tontuna such that feel immortal in their bubbles of reality, in their castles.
is incredible humanity with which Fellini wrote the character played by Marcello Mastroianni, because the viewer can not hate, can not even consider it as a cruel man, despite how he treats his wife. The journalist is a product of its time, the flashes of his friend Paparazzo, who draw a society where the rich look better, immortal. And Rubini want to belong to it, though not appropriate, or even unrealistic, and rendered the viewer falls, as does the protagonist, to the hypnotic personality Maddalena, Anouk Aimée, and the beauty of Anita Ekberg.
Rubini wrote to Fellini as his alter ego, because the director was also a provincial man dazzled by the women of Roman high society. And in the film, the director plays with that reality to unmask.
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