Film Blogging does not mean isolation from social reality, suffering palpable. And in recent days I have not stopped reading, frustrated and angry, the consequences of other actions of state terrorism by Israel. In international waters, under the banner of an ally (Turkey), the Israeli army attacked, without provocation, attacks or any other logical reason- May 31 Mavi Marmara, the ship that was part of a fleet humanitarian aid to Gaza . In the middle
Human Journalism , Alberto Arce narrated the story in the early hours, where there was only confusion, lack of information and misinformation. Alberto Arce is the first link I find in this blog to denounce the unjust Palestinian reality, but through a movie screen, which is what we speak in Cinemascope35. Because he is an authoritative voice, who knows what that boat trip to Gaza, and what it means to bypass an Israeli blockade in order to inform the public of barbarism, it did in 2008, when he made the documentary To shoot an elephant ( award winning AI ) on the killing of innocent Israel's operation was called Cast Lead .
The second link in this article today with the cinema was in the Mavi Marmara: Ron Ben-Yishai, an Israeli journalist, famous for being a war correspondent always exposed to bullets, and always elusive. Ari Folman depicts him in his masterpiece Waltz With Bashir ( Cinemascope35 review) as a man who avoids the bullets like Superman, who walks upright while your camera crawling terror. Is a character in the movie, being interviewed by the director to tell his version of what happened in Lebanon .
In the attack on the flotilla, Ron Ben-Yishai is also one more in the Mavi Marmara, which gives his version of events , which accounts for his newspaper which lived there. And also dodging the bullets of the soldiers in his own state. His history differs from that of other journalists, but it is worth valuing, but then there's the official version of the Israeli army, so stupid and wild as that of their American allies in Afghanistan or Iraq.
In the future, Alberto Arce and Ron Ben-Yishai should make a documentary about a forgotten group of people, as did Ari Folman to this work of art called Waltz with Bashir. In an idyllic future would be written no stories like Folman, or the Mavi Marmara. Stock
Olmo Calvo Rodríguez ( Flickr )
Human Journalism , Alberto Arce narrated the story in the early hours, where there was only confusion, lack of information and misinformation. Alberto Arce is the first link I find in this blog to denounce the unjust Palestinian reality, but through a movie screen, which is what we speak in Cinemascope35. Because he is an authoritative voice, who knows what that boat trip to Gaza, and what it means to bypass an Israeli blockade in order to inform the public of barbarism, it did in 2008, when he made the documentary To shoot an elephant ( award winning AI ) on the killing of innocent Israel's operation was called Cast Lead .
The second link in this article today with the cinema was in the Mavi Marmara: Ron Ben-Yishai, an Israeli journalist, famous for being a war correspondent always exposed to bullets, and always elusive. Ari Folman depicts him in his masterpiece Waltz With Bashir ( Cinemascope35 review) as a man who avoids the bullets like Superman, who walks upright while your camera crawling terror. Is a character in the movie, being interviewed by the director to tell his version of what happened in Lebanon .
In the attack on the flotilla, Ron Ben-Yishai is also one more in the Mavi Marmara, which gives his version of events , which accounts for his newspaper which lived there. And also dodging the bullets of the soldiers in his own state. His history differs from that of other journalists, but it is worth valuing, but then there's the official version of the Israeli army, so stupid and wild as that of their American allies in Afghanistan or Iraq.
In the future, Alberto Arce and Ron Ben-Yishai should make a documentary about a forgotten group of people, as did Ari Folman to this work of art called Waltz with Bashir. In an idyllic future would be written no stories like Folman, or the Mavi Marmara. Stock
Olmo Calvo Rodríguez ( Flickr )
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