Tuesday, February 22, 2011

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Wednesday From School presents: Number M


had had the opportunity to go a couple of times to MDE, but never for any reason in particular the truth is that he knew little about what happened there and my unproductive presence was justified only because it fell to a spool of parachute more than they are here. Assumed that there was a recording studio, that a circle of rappers had it as a meeting place and / or base of operations to produce, and even some names associated with what are bred there, but further investigation was never something to take my sleep. When I had to interview the boys MutanteStyle in January 2010, we agreed that MDE would be the place of the meeting, since faithful to the tradition in each of their visits around the capital, he mentioned that the roof is the home . Indeed, the interview referred to Today has not been published, maybe, someday, maybe, maybe I do not know.
Until then struck me that despite the times I had sat in these chairs, which had been in that bathroom, which had filled these ashtrays, or even that he had played with Papet (famous mascot of the place), never met the homeowner and their existence and appearance remained a mystery to me. In fact, until I had to break a plate in your kitchen without knowing who to ask for apologies, but make sure it does not get out of here and remains a secret.




was pure coincidence that the mystery was solved, I think for the
after some Beatmind when Alicantoh landed unannounced at my apartment after striking another couple of places. The thing is that we could finally show up and sit a while to empty a few glasses. He only knew of his previous Cromosomos published in 2008, but I had heard that for 2010 was working on a new project, being more accurate, I witnessed the creation and recording of the track " Explicit and hard "
as I was interviewing puertomonttinos (yes, the interview that). Alicantoh and I talked with expressed their desire to realize an idea for the release of their next album through the site, my response was to show the same interest and that we schedule a date for my visit to the home-study pre-cordillera. Originally from Santiago, but thanks to these contingencies of life, Roberto Padilla (Alicantoh) has developed his upbringing in the style of nomad, having established the geographical instability, with the costs the fifth region and some remote village in southern Chile, some of the most influential. Always attracted to music, grateful to her aunt who indulged in childhood cassettes Bob Dylan and Tracy Chapman, was circa 1997 when he began to learn more about the rap and learn from the result of his fascination with the structures into four quarters. It is what later led him to make his first forays as a producer to record the marine biology group Phase 3, all in times of little education and the notion of how to do things, where guided by intuition and few resources, which was discovered the way he wanted to go. And so did, for in 2004 would definitely sound Santiago to study and pursue his hobby in a more professional, meanwhile, achieved his first connections to other characters in the local environment, which positively influence and determining what Alicantoh today, master of the manor MDE Proadicciones, principal host of what were once those golden school Wednesday.


At 25 years can boast of having been involved in instances and significant moments in the history of rap in Chile, especially during the first half of the decade just passed, when he was a columnist for the website disappeared
hiphopchile.com
. Soundman Vafe Jhous and Hordatoj at the historic concert Nach 2005, fulfilling the same function after artists such as: Fourth Universe, Sinsimil Mc's and MutanteStyle in important concerts of international character, as Violadores del Verso and Method Man years 2006 and 2007 respectively. In 2008 he produced his debut album, which he entitled
Cromosomos and had the participation of artists like Yntro, Craftsman, Alexin, Sinsimil Mc's, Rolo, Mabrodah, Lister, and Tianobless Ackos, among many other names. At the beginning of 2011 traveling with MutanteStyle to Comodoro Rivadavia (Patagonia Argentina) to the festival "Elemental" to assist in sound to the band's final concert day and also be a judge in the contest beatmakers. All these and more, would be some of the most remarkable feats, regardless of the fact that
important cradle of recording references under Creole while giving those first steps, and in his prime. During the year 2010, joins forces with his brother hidden Diego Padilla to produce a new album, as it showed progress and definition revival in music production. Diego lives in Concón. Being left deejay under the pseudonym of Keizer, adding as fact to consider that only 15 years accompanied him on stage at the imposing Vafe Jhous Nach concert at the lines I mentioned earlier. He has also worked on previous albums of the female, of Alexin, Mc Double and the same Alicantoh. Clearly proud of this ability and unceasing concern for his younger brother, once again recruited some of his faithful cronies MDE circle to share this new divine illumination which means preparing a disc. Thus, Dj Keizer Alicantoh and begin to compose the soundtrack of what today is number M, the latest release of particular alternative label.



been months since I met Alicantoh for this interview, but it was not until a few days the album finally came out outstanding. Clearly the parameters of accuracy may be affected if we leave a conversation like this stored in formalin for both time, but fortunately in this case are small details. The most important thing was recorded and are entrenched views, which are summarized in the following letter.

Güissario Interview by Patiño in June 2010
your first and only album, which was published in 2008 and in the scene marked a shy, but uneven presence. For those who have not yet acknowledge, tell me what was the concept that seeks to address? What was your debut with that?


These discs, while pointing a box to collapse trying to contain his collection of vinyl, are all rescues. Franklin Early Persian Valpo, family, relatives of my family, where I rescued it and hear it, maybe not the first time I find something, but the fifth can be.
For being my first job, I wanted to do a tribute to rap my love which is the noventero. I had to do on vinyl, I could not be otherwise. And so I started it, sampling the time, hoping that the sound is unrecognizable, hopefully no one discovers what song did you get the sample. On the hiphopchile
I had a section that fed every week named
"... and where did the sample"
. Grabbed three themes for example, put where I got the sample, put the original theme and then writing a review the treatment that made him the producer, as it seemed to me, the original sample. It was really into that kind of searches, then I have already built that year and I worried about what else could transform. In
Cromosomos
tired as instruments are concerned, then that helps separate it from the sample well. There I worked with a lot of people who are super rich musically: Lister, Mabrodah, Tianobless, Raiko, Lolipez ... then you almost mirai to the eyes, they tarareai the stuff, and I catch the idea to shot. Estai ready, tennis to put the red button no more.
What could you say will be the main factors that determine the difference between your previous work and number M, the new album prepare side by side with your brother, Dj Keizer?
The record that we are preparing today to Dj Keizer is less musical, more rap, to put it in a way. He wants to do well, not like that, actually asked me to go further. I like all styles of music, half a year I was listening to bossa-nova, electronic music ethnic music ... never leaving the rap, but to make music you have to listen to other things because if you listen to rap only going to do something very similar to what you're listening, is a snowball. I like to take ideas, suddenly I got to listen to African music, and indeed, Jay Dilla says in an interview, I heard a lot of music besides rap and African music in particular, because they had a special rhythmic sequence, and Jay Dilla is the father of the special rhythmic sequence, ate them all with that kind of production. It's good exercise, I've always heard lots of music and Cromosomos
is a reflection of that. This, however, for the models I have shown you, you realize that four quarters are more breakneck more stringent. I love it, I want to sell the record and include a coupon at the pharmacy for a neck brace (laughs).



As I understand, Cromosomos
was not released to the market and already have referred this even a marketing plan Why you opted not to sell the old one? Why did he dare to then?
Cromosomos
not even materialized, because my first job, as I wanted it to be chrome, it had to be given away. He was convinced that, how could I charge for my first album? I could not, to move no more! With this album I did a lot of sides and goes really well, I wonder about the realization, but I tell them no, I gave that album. I always clear. And this what I want to sell, it is not the first (laughs). There is more work, more hours sitting in this study and recovery that is not so much, it is rather symbolic. I intend to leave in three lucas, good artwork and printing, all that goes out an album of quality, not going to be on board. Hand in hand this also with videos. Claudio (Ramos) time working and we're making a good product.

What qualities will make Number M an album diverse in his similes? As you know, producers and ideas to emerge today speed weed, edit a new job and risking that this is just another disk is a possibility more likely. Why bet you is this play? What intend to defend?

production. What I bring to the disk space is to give all these poets, whether we can have a character well known nationally, I think that something as valuable as that in the letter "X hueón of La Florida, Temuco ... and who are writing that way. I'm more interested that they connect with other styles music, or experience other side, but I love when they do, they create mixes jazz, electronic music with drum'n'bass, anyway. It is recognized and is expected to be so forever, but to me what interests me most is the content, make do care about that person that has something to say, that's what motivates me. I give all the excuses before, for example, if you show the music some of my family, I explain that it is monotonous, it's dark ... but it caught me (laughs). We stress that are fixed in the letter, and if more top have a clue that flow well, the glue is perfect and they understand.


is that this is what has to happen. Nowadays with internet and all these shit, we are one click from any person. It's like the theory of six degrees of separation, I do not know if you know it, but says you are up to six people apart from any other person in the world. For example, you went to Method Man concert, you had direct contact with him because you were at least 20 feet away, then went to Methodman Awards VH1 rap and there were also Black Eyes Peas, and they were at the Grammys ... then you were at least three people from Al Pacino, so to speak (laughs). With the internet is almost the same and it shows the connections you are making today the same groups. I know people who are making connections with villagers, sylvite, the free, the same who brought with Main Flow Personal Seal, there are several. Now, apart from this easy connection you have, is convinced, for example, if the Tijoux Anita wanted to make a theme with Invincible, had to come and show their work as many people who also like to make issues with it, what passed to any rapper who reaches a certain level and is approached by many people who want to work with them, but they are also concerned to know for whom they work. It's a fine line, is very delicate, because you may want to work with you, but not with him, and that play a lot of relationships.

Turning to the connections and the amount of contributions can be made between music producers and emcees, I can tell you today is staggering. Macrodee for me is the best example, is crazy talented and real, has been known to move apart, then respect for him po '(laughs). I wish to continue such hueones out forever, because I think that motivates those who are like me, on this side of the production, which is starting to write, which is starting to paint and so forth.

The model of the disk is full, practically the most important half of the work is finished and now just order and dress the last details of what will be the final product. When will this
Number M
in our hands? Is there a side project you're working and we want to comment?

Today I concentrated only on the disc, besides the external hit I have to get to buy the gas stove (laughs). The Cromosomos
I did complete, from the photos, designs, create the tracks, calling the guests, record, and so on. Today I have more people who will help me in the disk, but I'm super retailer and could not be oblivious to all the points that I have to do to make the disc. What I want to get in the winter, I think it's better when people hear the lyrics, because there is more cold, you pick up more, you connect more with the music, you hide in your hood. It is the best time to release a record to be dedicated to the letters of those involved, I have little time, winter has just begun and there are only three months. Is also paying particular attention to the people of the south, I lived through the earthquake fifty miles from the epicenter and was super Strong experience of seeing all the destruction, in a way that engages heavily MutanteStyle and can also be taken as a dedication to the south. Graphs and those details I have not yet determined, I would finish some scratch's to finish the job first disc.

From your point of view of producers, and above all, music lover who you are ... how can self-assess your performance on this album? What would classify as your strengths to door to launch your second film?

cove Like how sleep, I'm enjoying this album a lot. I hope that the other third is missing, which are scratch's, leave it even better. As a producer, sound better than anyone, I like to give a stamp to my work, which is a roller coaster of feelings and feel you want to listen to from beginning to end, obviously there are issues that you will like more than others, but what matters is that the disc itself will not get bored. There is a theme of disc Mexicano 777 Between good and evil, that began with an interview and then started a very hardcore beat Tempo which came after the track was going, the track followed, changed the drums and rapping came again in another speed Bombay, for me it was a perfect subject for seven minutes, but the lyrics are pure tiradera and competition. As always heard on tape, believed that the structure was perfect, then I got it on mp3 and I was disappointed, I discovered that they had always been two separate issues ( make some noise on guns and Witness II). In a fit of anxiety, I called the Diego (Dj Keizer) and I suggested that we stop the disc into four themes and each theme there are three in a row. He sent me to hell (laughs). I intend to do that in future productions, as I said, I like to distinguish myself by a seal. I wave to create concepts, the concept of this album is that it breakneck
, and at the same time be content to leave you thinking and represent you. As the issue with Ackos Yntro "
This issue is dedicated to all the people that one day he lost his dreams, a day like today, a cold day, when he had to leave to see his family ..." ; This is dedicated to worker who is waiting at the bus stop micro cold shit and I guess when I heard you stop the hair, to me it is mission accomplished. I look at those details, rather than
mainstream production, it sounds very strong
collaborations incredible That hits at the time and then leave.


"I'd like to dedicate this song to my partner, soul partner, brother Wherever You Are "
taught in clear tones of intimacy, the statement that opens and invites us to put an ear to the new musical work of the Padilla brothers. Alicantoh & Dj Keizer have this number M,
thirteen new compositions taken directly from the bowels of MDE Proadicciones independent label, and a predictable manner with the participation of traditional and MDE Allstars. A neat sound work, but keeps the dirt from the underground rap real, that how successful you are out to Dj Keizer and longing that causes stars like: El Da Sensei, Jay Dilla, Guru and Biggie, by Talobeez. Clear identity individually maintained these two brothers, being more cautious Alicantoh minute to make arrangements while you enjoy scratching Keizer dishes on the purest and most spontaneous flow of the sample of their beats. The cast also has its own, giving the highest points of production those collective collaborations that mix and combine a rich variety of styles, being: Craftsman, Yntro, Nokman MutanteStyle and people who make a greater presence and give more personality to work. Very personally, I must admit that it's never wasted time listening to what Yntro or Illustrated have to say, not to mention the always lucid skilled craftsman with flow management, which puts social criticism on the table with the most intelligent.


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number M is a record warm, lightweight and fast development, but which at times becomes flat and redundant, which does not detract from the transcendental to keep your foundation and above all, dissimilarity from the rest, being the MDE school a trademark for its credibility and independence of interest.

Contact:
MDEmúsica.cl contacto.mde
Bandcamp Soundcloud
@ gmail.com

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